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西方人喜欢指环王
http://www.sina.com.cn 2002/04/11 10:08  北京青年报

  (本文作者现在中国地质大学教授英语)

  Now Chinese audiences can experience a monument of Western story-telling that has enchanted readers for the past fifty years.The recently released filmLord of the Rings: The Fellowship of the Ring is based upon the novel of the same name by John Ronald Reuel Tolkien.This book is the first of three novels that together comprise the trilogy Lord of the Rings.The film of the second book, The Two Towers, is due to be released next winter, while the film based on book three, The Return of the King, will appear in 2003 or 2004.

  The Fellowship of the Ring has received a great deal of media attention, and not only because of its cinematic achievements (it won four Academy Awards last month for best cinematography, best visual effects, best make-up and best original score). Since completion of the trilogy by Tolkien in 1954, Lord of the Rings has become a widely read and influential work of literature amongst children and adults alike.Tolkien's fantastical world of Middle Earth captures the imagination, and the devoted following of Tolkien fans proves that Middle Earth, though wholly created by Tolkien, thrives in the minds of readers.

  Middle Earth is not a simple world.It possesses a long history and is inhabited by populations of diverse beings, from gentle Hobbits to vicious Orcs to more familiar Humans. Eachsgroupshas its own complete society, culture, history and style of dress. They share the continent of Middle Earth, living, fighting, and dying as neighbors.The conquest and subsequent control of certain populations by the others has shaped the course of Middle Earth's history, creating the foundation of the stories in the trilogy.In his novels J.R.R. Tolkien took care to depict each of the cultures of Middle Earth in minute detail, which is what makes this world so fascinating and so real for readers.A medievalist at the University of Oxford, Tolkien (1892-1973) used his knowledge of European history, legends and myths to create a world that is imaginary yet utterly persuasive.The enduring popularity ofthe Lord of the Rings trilogy shows how deeply Tolkien's work has connected with readers.Middle Earth is an escape from our real Earth, but life in Middle Earth is just as full of problems and conflicts as our daily lives. Middle Earth thus provides us with the chance to examine and reflect upon the issues important in our lives, but in a fantasy setting.

  Director Peter Jackson,a self-proclaimed Tolkien fan, spent seven years preparing and producing Lord of the Rings.Jackson has said in interviews that his goal was to bring Middle Earth to life, to make its creatures and cultures real for audiences.The Fellowship of the Ring is an introduction to this world and the adventures that befall one small Hobbit named Frodo Baggins.Even people who have not yet read the novel will find the film rapturously engaging.One need not be thoroughly schooled in the lives of the inhabitants of Middle Earth to be swept into their world.What draws viewers into the film is the mysterious familiarity of the characters and the landscape.Although we know that this is a work of fantasy fiction, we can relate to the various characters and the situations they must face.

  As a film, The Fellowship of the Ring is an impressive display of movie magic and special effects:the wizard Gandalf towers dramatically over the small Hobbits; the landscape sweeps from the gentle hills of Hobbiton to the exquisite cliffs of Rivendell (home of the Elves, who speak their own language, Quenya) and the sinister darkness of Mordor; the fighting scenes are terrifyingly realistic yet infused with supernatural twists.The story fol-lows Frodo as he attempts to destroy a magic ring of such evil that it corrupts every person who cannot resist the temptation to use its powers.When the ring was first made, the Dark Lord Sauron used its evil to conquer Middle Earth, but the ring was eventually taken from Sauron and peace was restored.For many years the ring is forgotten,until one day it appears in Hobbiton and sets in motion another campaign to conquer Middle Earth by the forces of Sauron and Mordor.

  At a basic level, the film is about the struggle of good versus evil, the classic divide that never fails to entertain.The story is about power and greed, but also about discovering one's ability to confront unforeseen challenges.When Frodo is nearly ready to give up the quest, the Elf Queen Galandriel pushes him onward by reminding him that“even the smallest person can change the course of the future”.Though we understand Frodo's self-doubt, we begin to believe that he may indeed be the only one who can save Middle Earth.And as a good serial film should, The Fellowship of the Ring tantalizes viewers by ending just as the main story is about to begin, leaving us impatient for the next installment of the trilogy.

  For further information, consult the official movie website: www.lordoftherings.net.Two websites for fans of Tolkien are www.lotrfanclub.com and www.lordotrings.com.

西方人喜欢指环王

  就像中国人喜欢“西游记”那样,西方人喜欢指环王。

  最近,中国的观众可以亲身体验一下过去50年中一直让读者着迷的西方故事大王的杰作。最近上映的《指环王·护戒使者》源于J·R·R·托尔金的同名小说,这本书是《指环王》三部曲中的第一部。源于第二部《双塔》的电影将在今冬上映,而源于第三部《国王归来》的电影将在2003年或2004年问世。

  《护戒使者》受到媒体的极大关注,并非仅仅因为它在电影方面的成就(它荣获上月颁发的奥斯卡最佳摄影奖、最佳视觉效果奖、最佳化妆奖和最佳原创配乐奖)。自1954年托尔金完成了该三部曲后,《指环王》就在孩子与成人当中成为了广为传播的读物以及具有影响力的文学作品。托尔金笔下奇特的中地世界抓住了人们的想象力,他的小说迷们的热衷追随证实了中地世界——虽说它完全是托尔金虚构出来的——活生生地存在于读者心中。

  中地并非是个简单的世界,它拥有漫长的历史,居住着不同种类的生命群体:从善良有礼的霍比特种族、邪恶的奥尔科种族到我们更为熟悉的人类。每一个群体都有着自己完整的社会结构、文化、历史以及服装款式。他们共享这块土地,像邻人一样,在这里生活、战斗、死亡。某个种族攻占了他人领地以及随之对该地区种族的统治就形成了中地历史的进程,成为三部曲中的故事基础。托尔金在小说中仔细描写了中地世界各种族文化的微小细节,从而使得这个世界在读者看来是那么奇特,那么真实。作为牛津大学的中古史学者,托尔金(1892-1973)运用了他所了解的欧洲历史、传说、神话,创造出一个既虚幻但又完全令人信服的世界。《指环王》三部曲的长盛不衰表明了托尔金的作品与读者联系的层面是多么深。中地是对现实世界的逃避,但中地世界中的生活也像我们的日常生活一样,充满了种种问题与冲突,中地也就为我们提供了一个机会去审视、反思我们生活中的某些重要问题,但这被置于幻想的背景之上。

  自称为托尔金小说迷的电影导演皮特·杰克逊花了7年时间来准备、制作《指环王》。在接受采访时杰克逊说,他的目的就是把中地世界变活,把它的生命群体和文化真实地呈现在读者眼前。《护戒使者》是对中地世界的介绍,是小人国霍比特族一个名叫弗罗多·巴金斯的男孩所遭遇的一系列惊险。人们即便没有读过小说,也会发现这部电影极引人入胜。你不用通读小说充分了解中地世界居民的生活,也能被电影所征服。吸引观众的是影片中的人物与风景令人不可思议的熟悉。虽然我们知道这是一部幻想作品,但我们能理解其中的各个人物以及他们必须面对的现实。

  作为电影,《护戒使者》令人惊叹地展示了电影的魔力与特技:神巫甘道夫比小霍比特人高出那么多;风光从低缓的霍比屯小山扫到绝妙的瑞文德尔峭壁(那里是小精灵们的家,他们有自己的语言——昆尼亚语),再到莫尔多尔的险恶黑暗;战争场面极为真实,但充满了超自然的突变。剧情以弗罗多为主线,他打算摧毁魔戒,魔戒十分邪恶,使用它的魔力成为一种诱惑,它腐蚀着每一个不能抵御这种诱惑的人。当魔戒打造之初,黑暗君王索伦运用它的邪恶征服了中地世界,但魔戒最终从索伦手中夺走了,世界恢复了和平。多少年来,人们遗忘了这枚魔戒,直到有一天,它出现在霍比屯,引起了索伦和莫尔多尔的恶势力想征服中地世界的另一场斗争。

  从基本上说,电影是善与恶的斗争,是能吸引观众而履试不爽的传统划分。这是一个关于权力与贪婪的故事,也是发现人的敢于面对突发性挑战的能力的故事。当弗罗多几乎打算放弃追求时,小精灵女王嘎兰德列尔鼓励他继续前进,提醒他“即便是最小的人也能够改变未来的进程。”虽然我们理解弗罗多信心不足,但我们开始相信只有他可能真的能成为拯救中地世界的人。正如一部优秀的系列电影所应该做到的,《护戒使者》在结束时似乎故事刚刚开始,它撩动着观众的心,让我们焦急地等着三部曲的下一集问世。

  要想获得更多信息,可访问该影片的官方网站:www.lordoftherings.net。托尔金小说迷的两个网站是 www.lotrfanclub.comwww.lordotrings.com




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