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在法国当名厨师地位如同耀眼明星
http://www.sina.com.cn 2003/03/12 10:11  北京青年报

  The community of French food-lovers is mourning one of its most famous chefs. Even the Chinese media have echoed the shocking news that popular French chef Bernard Loiseau took his own life on February 24.

  We say popular deliberately:①3000 people attended the funeral of this chef known to everyone in France. Loiseau belonged to that small corps of chefs (Paul Bocuse, Alain Ducasse, Guy Savoy et al.) who have emerged as TV stars. Several television programs dedicated to French cuisine are hosted by famous chefs who each week share some of their "secret recipes" with the public.

  Why so much sadness and gratitude? Top chefs are considered artists and receive the admiration due to artists. This applies not only to eminent chefs like Loiseau and Bocuse. It's quite common in France to see the chef of a restaurant strolling through the dining room and being thanked by gourmets for the pleasure he has afforded them. And this tradition has found its way to Beijing: a few days ago, one of us was eating in a French restaurant here and saw the chef being warmly saluted by customers, obviously delighted with their meal.

  During our years in China, we have noted the similari-ties between the Chinese and French appreciation of good food, but we have never observed a Chinese chef receiving public congratulations even in the classiest Chinese restau-rants. Why not? We are certain that Chinese chefs would be as gratified as their French counterparts to be recognized for their splendid work, for their skills, forshavingsdone their utmost to give gustatory pleasure.

  Obviously, the best way to build a local reputation is by word of mouth. It is, however, not enough to wait for the local reputation of a cook to swell to national or even inter-national proportions. France has publications that sys-tematically scrutinize and grade restaurants - thousands of restaurants. The best known and most respected are the GuideMichelin and GuideGaultMillau. The appearance of their annual editions is awaited eagerly by gourmets and dreaded by chefs.

  For customers these books are a valuable and trusted reference. Some cookery enthusiasts will make a special trip of several hundred kilometres or even fly in from abroad to have a meal in the restaurants awarded the top mark of three stars in the GuideMichelin. For chefs an additional star can be the path to wealth and the spotlights.

  But beyond purely business considerations, the star issue is often a question of public face. It's an event for a chef to earn a better GaultMillau grade or an extra Michelin star, especially the third star, which means that one is ranked among the gastronomic Olympians. Earning stars is also a matter of self-fulfillment for people as passionate about food as France's great chefs; their entire creative lives are focused on "lacuisine". The flip side of the coin is that the loss of a Michelin star or a point or two in the GuideGaultMillau can be felt as a defeat comparable only to the mortification of a movie star or director whose latest film is roundly panned by the critics.

  Bernard Loiseau was undeniably among the top French chefs, perhaps the most media-savvy②but also very attentive to criticism. Aged 52 at the time of his death, he was known above all for his culinary prowess at the Cite d'Or, his celebrated restaurant in the heart of France. Taking over the restaurant in 1975, he reached the pinnacle of his career when he was awarded a mark of 19.5/20 by GaultMillau in 1990 and 3 stars by Michelin the following year; in 1991 he also figured on the front page of TheNewYorkTimes. Thereafter his business steadily expanded, making him by 1998 the only chef in the world to be listed on the stock exchange.

  Loiseau had recently lost two points in GaultMillau and been criticized in the media. His relatives mention "a general fatigue, lassitude and fragility". He used to say about himself that he was an "anxiety sufferer" and that he attached importance to the opinions of all his critics. We French may never know the role of stars and grades in Loiseau's untimely end, but we will certainly remember this great artist.

在法国当名厨师地位如同耀眼明星

  如今,法国喜爱美食的群体正在哀悼最著名的厨师中的一员,甚至中国的媒体也刊登了这一惊人消息:备受欢迎的法国厨师波尔那尔-卢瓦梭2月24日自杀身亡。

  我们为什么要说他是备受欢迎的呢?请看,有3000人参加了这位在法国家喻户晓的厨师的葬礼。卢瓦梭属于有如电视明星般的为数不多的厨师精英(如波尔-波基斯,阿楞-丢卡斯,基-萨夫瓦等人)。我们那儿有好几个有关法国烹饪的电视节目都由名厨主持,他们每周向公众介绍自己的烹饪“秘方”。

  为什么法国人对名厨之死那么悲哀,对名厨心怀那么多的感激?名厨被看成是艺术家,受到了艺术家所应有的崇拜。这不仅仅是指卢瓦梭或波基斯那样的杰出厨师,在法国,餐厅的厨师走到人们就餐的地方,因其手艺而感愉悦的美食家们向他致谢是很常见的情景,这一传统也带到了北京:几天以前,我们中的一人在北京的一家法国餐厅吃饭,看到那些因饭菜美味而高兴的顾客们正热情地向厨师致以敬意。

  我们在中国的这几年,注意到在美食的欣赏方面中国与法国很相似。但是,我们却从没有看到过中国的厨师得到大家的恭贺,即便是在最高级的餐厅也是如此。为什么不向他们表示祝贺呢?我们可以肯定:当中国厨师因其杰出的劳动、技能以及为了给人以美味享受做到极致而受到公众认可时,一定会像法国同行们一样感到快乐。

  显然,在餐厅当地建立起信誉的最好方式是口碑。然而,仅仅坐等当地建立起的信誉扩大到全国乃至世界是不够的。为此法国有几本刊物,它们系统地详查餐厅———数千家餐厅———并进行评定。最著名的也最受敬重的两家是《米其林指南》与《果米耀指南》。每年,美食家们急切地盼望着它们的新版本问世,而厨师们则是惴惴不安地等待着。

  对于消费者来说,这些指南书籍是有价值的可信赖的参考。一些热衷烹饪的人会专程从几百里地之外赶过来甚至从国外飞过来,在荣获《米其林指南》三颗星的餐厅里吃顿饭,对于厨师来讲,增加的一颗星就意味着是通向财富与知名度的道路。

  但是,在纯商业考虑之外,星的多少则常常是个面子问题。对于厨师来说,在果米耀上获得比较高的分数或是在米其林上增加一颗星,可是件大事,尤其是米其林上获得三颗星,那就相当于跻身于烹饪奥林匹克竞赛的选手中了。获星还意味着那些像法国名厨那样热衷烹饪的人们的自我实现;他们将全部具有创造性的一生都贡献到了“烹饪艺术”中。不过话又说回来,若是在米其林上丢掉一颗星或是在果米耀上降下一两分,厨师会感受到失败,会像电影明星或导演的新电影受到评论家的全盘否定时那样感到羞辱。

  波尔那尔-卢瓦梭无可否认地处于法国厨师的顶级地位,他恐怕是最善于与媒体打交道也最留意对他批评的人。他死时52岁,以他在“金色海岸”餐厅的烹调才艺最为著称,他的这家餐厅位于法国中心地带。他于1975年接手这家餐厅后,在1990年得到果米耀指南的19.5分(满分是20分),第二年获得米其林指南的三颗星;1991年他的照片还出现在《纽约时报》的头版,其事业可谓达到了顶峰。此后他的事业稳步扩展,使得他在1998年成为全世界上市公司中唯一的厨师老板。

  最近,卢瓦梭在果米耀上降了两分,并且受到媒体的批评,他的亲属们说他“全身心的疲劳、倦怠、脆弱”。他常说自己是“忍受着焦虑”,还说他很看重所有的批评意见。我们法国人也许永远不会知道星级与得分在卢瓦梭生命尽头中所起的作用,但是,我们将永远怀念这位伟大的艺术家。




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