夫妻不分家 音乐家巴赫名作为老婆代笔(双语)

2014年10月29日13:27  新浪教育 微博    收藏本文     

  导语:作为“现代音乐”之父,约翰·塞巴斯蒂安·巴赫一生创造了大量名曲,然而根据马丁·贾维斯教授的研究,巴赫大量的名曲可能都为其妻子魏亚密所作,例如,著名的《无伴奏大提琴奏鸣曲与组曲》和《哥德堡变奏曲》。从技术角度来看,这些名作乐谱的笔迹与巴赫其他作品大不相同。

  尽管没有确凿的证据证明魏亚密是这些作品的创作者,但是出生于音乐世家,本身也是著名女高音歌手的魏亚密,完全有能力去创作这些乐曲。

约翰·塞巴斯蒂安·巴赫画像约翰·塞巴斯蒂安·巴赫画像

  (NEWSER) – A new documentary argues that Anna Magdalena should be known for much more than being Mrs. Johann Sebastian Bach: She may have been the composer of some of her husband's greatest works. Music professor Martin Jarvis, whose authorship suspicions were first aroused more than three decades ago, describes the evidence as "circumstantial" but "strong." He, together with composer Sally Beamish and document-forensics expert Heidi Harralson, presents the theory in Written by Mrs. Bach. They zero in on pieces described by the Washington Post as "immortal masterpieces"—among them, the "Cello Suites" and the aria from "Goldberg Variations"—and build their case as follows:

  They say the pieces are quite different from Bach's other works from a structural and technical perspective; that the manuscripts seemed to be written by Anna Magdalena (with one page actually saying "written by Mrs. Bach" in French); and that there's an absence of actual proof (e.g., personal papers attesting as much) that Bach wrote the works. And Anna Magdalena would have been capable of doing it, they say: She hailed from a musical family and was herself a talented soprano. While she and others were tasked with copying Bach's scores for distribution, the researchers didn't find a "heaviness" to the handwriting that they say is typical of a transcriber, reports the Telegraph. They also uncovered corrections in her handwriting, which they see as an indication that she was composing it as she was writing it。

  (来源:Newer;编译:卢頔)

文章关键词: 双语巴赫

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