不支持Flash
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1997年Passage 4
No company likes to be told it is contributing to the moral decline of a nation. “Is this what you intended to accomplish with your careers?” Senator Robert Dole asked Time Warner executives last week. “You have sold your souls, but must you corrupt our nation and threaten our children as well?” At Time Warner, however, such questions are simply the latest manifestation of the soul searching that has involved the company ever since the company was born in 1990. It’s a self-examination that has, at various times, involved issues of responsibility, creative freedom and the corporate bottom line.
At the core of this debate is chairman Gerald Levin, 56, who took over for the late Steve Ross in 1992. On the financial front, Levin is under pressure to raise the stock price and reduce the company’s mountainous debt, which will increase to 17.3 billion after two new cable deals close. He has promised to sell off some of the property and restructure the company, but investors are waiting impatiently.
The flap over rap is not making life any easier for him. Levin has consistently defended the company’s rap music on the grounds of expression. In 1992, when Time Warner was under fire for releasing Ice T’s violent rap song Cop Killer, Levin described rap as a lawful expression of street culture, which deserves an outlet. “The test of any democratic society,” he wrote in a Wall Street Journal column, “lies not in how well it can control expression but in whether it gives freedom of thought and expression the widest possible latitude, however disputable or irritating the results may sometimes be. We won’t retreat in the face of any threats.”
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